What’s the big idea that’s going to hook your reader, keep them turning the pages, and force them to look at the world in a new light? What’s the idea that’s going to give you a shot at the major leagues of publishing?
Your Instructor: Rob Hart (author of "The Warehouse")
Where: Online — Available everywhere!
When: November 3, 2020 - December 1, 2020
What’s the big idea?
Seriously, what’s the big idea that’s going to hook your reader, keep them turning the pages, and force them to look at the world in a new light? What’s the idea that’s going to give you a shot at the major leagues of publishing?
Books with exciting hooks sell for a reason: people like to read them! And they tend to translate well for foreign markets and film/TV sales. But a big idea by itself isn’t going to do the job. You need to root that idea in character. And you need to build the foundation of your story on solid ground, so that the reader can be fully immersed into the world.
The focus of this four-week workshop is to build that foundation—by rooting the story in strong characters, then building out a roadmap (research materials and an outline), before diving into the opening, which serves the purpose of introducing your readers to the world without overwhelming them, or making them feel like it’s a lecture.
Rob Hart is the author of The Warehouse, which imagines a world where one company dominates the online retail economy and puts its workers into dormitory housing, so they can better fulfill the needs of consumers. It sold in a pre-empt to Crown at Penguin Random House. It also sold in more than 20 languages, and the film rights were optioned by Ron Howard and Imagine Entertainment.
This class is open to all skill levels, and includes written lectures and homework assignments, to be critiqued by both Rob and the class. You can come in with a work in progress, or completely cold. Either way, Rob will help you lay down the building blocks for a killer story.
What This Class Covers
WEEK 1 - Whose Idea Is This Anyway?
Ideas are good. Characters are better. You need to root your ideas in strong characters that’ll help you navigate the story. The assignment this week will be to come up with an elevator pitch, and a rough sketch of the character (or characters) the story will be told through.
WEEK 2 - Finding And Ordering Your Ideas
Craig Clevenger, author of The Contortionist’s Handbook, once said you don’t always have to be accurate, but you do have to be believable. No matter how far flung your idea, you have to underpin it with real, solid research. This week you’ll learn how to find research material—hard info, soft info, thematic inspiration, comp titles, and primary resources. And you’ll develop your own research list, tailored for your project.
WEEK 3 - Making Your Ideas Count
If you want to write a ripping thriller, outlining is key. There are a million ways to do it—or not do it—and Rob will go over different formats and ideas, as well as bring in advice from other writers who don’t usually use outlines, to see what kind of wisdom they have to offer. The goal will be to find the process that works for you, and start getting your ideas in the order that works.
WEEK 4 - When Ideas Take Shape
It’s time to get started, and big idea books come with a unique challenge—you have to get your theme and your characters across, and immerse your reader into the world, without making them feel bogged down or lectured to. But there are tricks to it, which Rob will reveal this week—as well as a grab-bag of other nuts-and-bolts advice that Rob has found useful. By the end of the week you’ll have written five to ten pages of your intro.
Goals Of This Class
- Learn how to root your big idea in solid characters
- Find out how to underpin your idea with good research
- Learn how to build out a roadmap or blueprint for your story
- Get your story into gear and learn how to balance world building with character
- Either sharpen your work in progress or start a brand new project
- Get your opening critiqued by Rob, with detailed edits and suggestions
LitReactor offers a unique approach to a writing education: You study what you want, when you want, at your own pace. We bring in veteran authors and industry professionals to host classes covering a wide range of topics in an online environment that’s interactive and flexible. You get detailed feedback on your work and take part in discussions in a judgement-free zone. It doesn’t matter if you’re a beginner or an experienced writer, our workshops are about working together to achieve your writing goals.
Where do classes take place?
Entirely online. So, anywhere you have Internet access.
Are there certain times when the whole class needs to "meet" online?
Nope. Our students come from all over the globe. Everything is posted online and accessible 24/7. (We do occasionally schedule phone chats, but try to reach a consensus on timing.)
What does a typical class consist of?
It varies, but nearly all our classes include weekly lectures, homework assignments, peer reviews, critiques from instructors, and discussion forums.
How much experience do you need to take a class?
Beginner or pro, everyone is welcome. We encourage all skill levels.
Got more questions? Click here for an extended FAQ.
And click here to explore a sample class that shows our layout and features.