In this four-week writing intensive, you'll learn how to write Young Adult fiction that sells—straight from Mandy Hubbard, a literary agent and accomplished YA author.
Your Instructor: Mandy Hubbard, literary agent and author of young adult fiction
Where: Online — Available everywhere!
When: This class is not currently enrolling. To be notified when it is offered again, Click Here
Enrollment: 18 Students
YA is the most vibrant, diverse segment of publishing. Whether it's the genre-mashing Red Queen, the raw truth of Simon vs. The Homo Sapiens Agenda, or the time-bending possibilities in Passenger, YA is ripe with opportunity.
When you choose to write YA, the possibilities are endless. There are multiple subgenres, hot or fizzling trends, and ever-increasing competition. That's where Writing and Selling the YA Novel comes in!
As a literary agent and author of eleven teen novels, Mandy Hubbard knows what's selling—and what's not. She'll begin the class by discussing YA as a genre and reading your synopsis to put you on sure footing. You'll know where your book fits in the YA genre, and whether it is marketable (and if not, how you can fix that).
From there, she'll read your first ten pages, helping you uncover your teen-friendly voice, develop authentic teen characters, and hone your craft. YA is more competitive then ever, and this will help you polish those pages to hook an agent!
And in addition to critiquing your synopsis and first 10 pages, Mandy will assist with developing a query letter to ensure you will stand out in the slush pile!
Finally, this class includes an open question and answer thread. You'll have every burning question answered, so you can leave armed with the knowledge you need to conquer the competitive YA market!
What This Class Covers
Lecture One, Defining YA
Just what is YA anyway? During this lecture, we figure out how old our characters can be, and what kind of content is okay—and totally off limits. Drugs, sex, rock and roll—how much is too much? Why are some books with teen characters published as adult novels, and others are published as Young Adult?
- Synopsis Critique: A lot of writing YA is understanding the market and where you fit, and how to stand out in a competitive market. A strong synopsis is a great place to start, and Mandy will critique yours.
Lecture Two, First Chapters
First chapters are vital in hooking your reader—and a potential literary agent. But where do you start, and what the heck is a hook or an info dump?
- Manuscript Critique: Mandy will be critiquing the first 10 pages of your manuscript this week, so it’s time to figure it out!
Lecture Three, Voice and POV
Maybe you can’t carry a tune in a bucket, but that doesn’t mean you can’t have a fantastic voice. Learn tricks and tips for honing your YA voice, and figure out what POV you should be using for your novel.
Lecture Four, Characterzation
Katniss Everdeen, Jenna Fox. Mia Thermopolis. YA novels have characters that stick with you for days, weeks, and months. But nothing’s worse than a sixteen year old character that acts like she’s sixty—or six. Figure out how to create an authentic teen character with dimension!
Lecture Five, Revision
Some say “editors don’t edit anymore.” That’s never less true than it is in YA, where a dozen page revision letter is the norm! Learn how to deconstruct criticism and turn it into a to-do list, polishing your novel until it shines.
Tips for revisions
a. The Reality of Revision (aka, even published authors revise)
b. Filtering through the feedback
c. My debut novel took 9 drafts to sell—learn what I did wrong.
d. Tips and tricks to speed up the revision process without losing track of your goals.
Lecture Six, Concept vs. Plot
“High Concept” is all the rage in YA… but what does that even mean anyway? How can you use concept to hook an agent? How does concept differ from plot? And what if you want to write a plain old coming of age or boy meets girl sort of story.
Bonus Lecture and critique: Query Letter 101
Learn the basics of a query letter—as well as the most common mistakes, and load up on tips and tricks for finding and researching lit agents. Mandy will highlight a few query letters of clients she actually signed, and discuss why they worked.
- Query Critique: Mandy will tell you what's working—and what's not working—in your query letter.
Goals Of This Class
- Understand the fastest growing genre in publishing, and where your book fits
- Create a dynamic character and voice which reads authentically teen
- Create a polished, submission-ready package (query, synopsis, partial) so you can take the YA world by storm
- Draft and perfect your query letter--and know where to send it
- Immunize yourself from the most common mistakes hopeful YA authors make
- Explore key highlights from effective query letters that got new authors signed... and learn why.
LitReactor offers a unique approach to a writing education: You study what you want, when you want, at your own pace. We bring in veteran authors and industry professionals to host classes covering a wide range of topics in an online environment that’s interactive and flexible. You get detailed feedback on your work and take part in discussions in a judgement-free zone. It doesn’t matter if you’re a beginner or an experienced writer, our workshops are about working together to achieve your writing goals.
Where do classes take place?
Entirely online. So, anywhere you have Internet access.
Are there certain times when the whole class needs to "meet" online?
Nope. Our students come from all over the globe. Everything is posted online and accessible 24/7. (We do occasionally schedule phone chats, but try to reach a consensus on timing.)
What does a typical class consist of?
It varies, but nearly all our classes include weekly lectures, homework assignments, peer reviews, critiques from instructors, and discussion forums.
How much experience do you need to take a class?
Beginner or pro, everyone is welcome. We encourage all skill levels.
Got more questions? Click here for an extended FAQ.
And click here to explore a sample class that shows our layout and features.