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Captain's Order
How It Rates
Description
The scientists examining a potential colony world's indigenous life discover something important, but can they make a difference?
Second draft - slightly more dystopian, I hope.
This is set in a universe I've written several stories in - in fact it's quite closely related to the one that started it - but it's all new and written specifically for Teleport Us. The dystopia probably isn't as obvious as some (and I was reminded again yesterday of my inability to imagine fictional horrors worse than our actual history!), the technology includes at least one pushing-the-limits device, and one of the non-human characters may not count as a character (but the other does). Also, the story would continue if I hadn't run out of words ;)







Comments
And I'm standing there, looking down on this beautiful creature, holding that heavy thumbs down raised in my hand.
It's looking up at me with its huge, soulful eyes, and I cant bring myself to smash it.
'It's not a dystopia', growls a voice in the back of my head. 'You must crush it with your heavy thumbs down! It is in violation of the writing prompts!'
'But it's so good! The structure is perfect! The dialogue flows smoothly! It's fun and exciting and sweet! It's... Trekkie, for all that is holy!'
'The challenge is writing a dystopia. Or a utopia. This is neither.'
I raise the thumbs down, spattered with the dried viscera of many a worthy story. I close my eyes for that which has to be done.
'For god's sake, man! Think of the non-human character! It's central to the story and perfectly portrayed!'
I cannot bring myself to do it. I lower the terrible weapon in my hand.
Thumbs up for you. I know I should have let the hammer fall. But life is just too short, this story is too sweet, and the thumbs up-thumbs down voting system just too blunt. Well done.
Wow! Thanks so much for your (rather beautifully written) words of encouragement!
Yes, I know it's not nearly as dystopian as it should be. The whole universe it fits in is full of messed-up people, places and societies, but they all cope and get on with life and even manage to find some happiness... because humans are really good at that. And then I visit historic castles and see what our ancestors did to each other and I wonder whether I've got too optmistic an outlook on people. I'll have a think and see if I can tweak it.
Thanks again.
Hey, Rob. So I wasn't sure if this was a Dystopia or Utopia while reading it. I kind of assumed Utopia until I read your description. It was hard to tell though. The font you used was a little hard on the eyes. Not sure which it was. Also this is just me because I am not a scifi book guy at all. Movies and video games? Yeah. Not stories. But the story was just a little too boring for my tastes. Not a whole lot going on really until the end.
With that said I thought the ending was very suspenseful and well written. The prose overall was clean and fluid and very easy to read. Scifi seems like it's your sandbox to play in. I gave you a thumbs up on this even though I'm with the first reviewer and was on the fence.
I had a hard time with giving this a thumbs up or down. It IS well written (though I do not like the font choice, its a bit hard on the eyes) and I love the idea of one man trying to save a new life form and his guilt at what he has to do. I liked that a lot. The dialogue for the most part flows beautifully, this one section at the beginning didnt quite sound right to me (and this might just be me),
"Aaron sighed. "I know. I will obey Captain's orders, but I want to take some samples to study on the journey."
"Of course. What shall we take?"
It just seems a bit too robotic and the other sections of dialogue seem far more natural to me than this one.
I missed the part where Mary died? She was calm from her seizure and then she was dead - I dont typically need things spelled out to me but that might be an important line(s) to add in so the reader is aware. I dont even need to know exactly what happened to her but if shes gonna die, the reader needs to know it happened.
All that being said...this story is neither a Utopia or a Dystopia in a clear way, and while I am all for rule breaking its hard for me to ignore this after reading so many other stories that try very hard to be one or the other.
In the end I will have to give this a thumbs down as it does not quite succeed. I do so with a heavy heart and if you re-write I will certainly give it a second read and revise my opinion.
Sorry about the font - it looked OK on my laptop but having edited in both LibreOffice and Word97 I think it got oddified.
I've uploaded a mildly revised version with better font. Not sure it counts as a "re-write" but I tried to pick out the things I see as evidence of a dystopian theme (the crew's subservience to a machine, required for good reason but undesirable). I wanted to create a justifiable dystopia, one that could happen with good intentions, because people don't set out to be evil and to my mind post-apocalyptic isn't really the same thing as dystopian. Clearly I failed the first time, and unless I manage to acquire a time machine I won't have time to do more than fettle now.
I re-read your story and it was much better. Im still confused as to when Mary actually died but that might just be me needing more coffee. This is a good story, On my re-read I liked it alot better than the first read I gave it and because you dont have more time here and because I hate giving thumbs down when all stories get better with each re-write (no matter how mild) I am going to change my vote to thumbs up. The one passage I mentioned with weird dialogue you fixed and its light years better to me. You have a really nice flow to your language and I really do dig the idea of the "plant" being a lifeform.
Good luck to you and I hope you get that time machine just to have fun with!
Hullo good sir,
I have read your story, and the font/formatting is still an issue, for me anyway. I had to zoom in and scroll to read left to right. I'm only mentioning this because it may have been a factor in how much I was able to enjoy reading.
The parts of the story that held my interest the most were the elements alluding to the way of life these crew members lead. Spouses being selected by captains and such, that part I found intriguing, but it was not the basis for the story. The dialogue was actually very well done, especially the whole interaction between the captain and the others. It did seem odd that your MC seemed a bit more, i duno human and less robotic than virtually everyone else on the ship.
So, yea not a dystopia, and definately not a post-apocalypse, I get what you were trying to do but as others have already pointed out it's not exactly one or the other. I"m still on the fence about the vote right now.
I will say you have some great prose here and i'd love to read some future stories by you.
Hi, Rob,
A good and engaging piece. Unfortunately I'm going to have slightly to stress the word "piece". I liked this an awful lot, thought it was very well written, and found myself immersed in the characters... but felt like there was half of the story I wasn't getting.
This can often be the way with broader universe pieces, and this would be a superb piece to come across in an anthology (the story style and small amounts of the content reminded me of Orson Scott Card's Worthing Saga stories, which also feel a little incomplete in isolation). That said, the actual quality of the piece was beyond reproach. You introduced the oddly regimented social structure very well, and while I was fairly sure of the nature of the Captain before he appeared, he was still interestingly drawn and realized.
One very slight quibble... how are we defining "sentience" in this story? There's a tendency in science fiction for "sentience" to mean, essentially, personhood, but that's not always how it's used. The Jeremy Bentham / Peter Singer argument would be that sentience is the ability to feel pain, and surely Aaron encounters more than one creature with this ability. I'm nowhere near enough of a philosopher to untangle this one, and I get why you used the word, but it was one of the only parts where I stumbled.
I'm still working on notes, but I'll try to get them up tomorrow.
Hi Ian,
Thanks for taking the time to read and comment. I can't claim to be surprised at your "piece" comment - as I hinted in the description, there was more story that simply didn't fit the word count. The broader universe it belongs to is the same as "Eleanor" but this is much closer to where it all started. Indeed I'm pondering whether it might actually serve as a prologue to the Hammahlekoth novel (both AEP and the plant play significant, if slightly background, roles in that).
I'm using "sentience" somewhere between the "personhood" meaning and the concise OED form - "able to perceive or feel things". To my mind the word is definitely more than just feeling pain, which is a physical reaction, but probably less than "self-aware". It has a sense of abstract perception. Of course Aaron and Mary might well be using the OED definition to justify invoking a regulation based on the "self-aware" sense... ;)
Here's some more detailed feedback. Hopefully it's useful and constructive.
I liked the concept but the jargon made it a tough read, especially in the beginning. I'm assuming this is fan fiction because I've heard of tribbles from Star Trek but I don't know the Trekkie world well so I felt like I was missing something.
No, it's not fan-fic, and it's "tribils", not "tribbles". It has no connection to Star Trek, although the first comment called it "trekkie" as a (possibly back-handed) compliment.
Perhaps I should change the gerbil similarity to a ferret similarity and call them trirets.
That said, I've been asked if some of my other stories are set in the Star Trek universe because they have "Arcturans" and "Denebians" in them. Given that both Arcturus and Deneb are actual stars in our own universe, that seems a bit of an odd assumption, but it shows you're not alone in making that mistake.
Most of the other comments have picked up on the slight negatives here, so I won't go back over them. It was a solid thumbs up from me. I wanted to read on which is always a good sign. I thought the characters were very well done, and believable, though Angelique was a bit too good to be true by the end. I loved Captain - utterly logical and incapable of flexible thinking. The way of shutting him down was a bit convenient, but few of us aren't guilty of that. The concept of sentient plantlife is good, and there was a lot here that interested me in terms of how your universe is put together. It's well written, very engaging, flows brilliantly, and is a fun read.
Thank you. I get your point about both the override command and Angelique generally. In the very first draft (fixed well before I got to the end of the draft, in fact) Angelique was a bit too good from the start!
Sentient plant life is, of course, not an original idea but it's not been overused as badly as some of the classic conepts ;)
I'm glad you enjoyed it overall.
Very smooth read and dead on that 4k limit! For me, the biggest issue was how quickly things moved from one event to the next in the story. I would have liked to see a little more detail about the events. Of course, to do that you'd have to cut a few elemnts form the story. As it is, I'd say you did an excellent job to fit everything inside the limit.
Good Work!
Thank you!
As others have noted, there are actually some story elements that I could have cut to make room for more detail. They exist because of the place this story occupies in my wider universe, but since (almost) none of you have read anything else in that universe I might have been better off leaving them out.
Sorry it took me so long to get around to reviewing your story!
The characters were set up well and their personalities were well represented by their dialogue. Angelique's dialogue is a bit wooden, but that's pretty in line with the highly-regimented world that she's grown up in. Aaron and Mary have warmer, more impulsive language to fit with their personalities. Captain cannot help having a robotic voice, of course. How long have Aaron and Angelique been married? That would further justify her perceived icyness.
Also, how might the portal stablizer protect them? Does it generate some sort of field? I don't think that you need to describe its exact mechanics (goodness knows I wouldn't understand that) but you set it up as the 'gun on the wall' and "portal stabiliser" read (to me) like it was a device used to help fix the jump gates in place, rather than something that stabilizes the ship during jumps. It also seems like this crew has never been through a jump gate before ("Does anybody know how to prepare?") and there seems to be a great threat to them during a jump. Can you elaborate a bit on how travel affects them? It's good to know how high the stakes can be.
Thank you for your comments.
Angelique is one of the most regimented in the regimented world. She was brought up that way, as is hinted towards the end.
Ah, the portal stabilizer - the Chekov's gun for the plot arc that I had no room for in the 4000 word limit. Probably should have been trimmed out for this challenge. Its purpose is, in fact, to stabilize the opening into flitspace that the jump gate creates. The ships using the gate also need a field generator to create a bubble to protect them from the (rather bizarre) characteristics of flitspace once they're in. Even with that in place, the crew experience an extreme form of sensory deprivation combined with a tendency to hallucinations. Those issues, and the eventual fate of this story's cast including the plant, all feature in a novel I have in first draft. The problem I had with filling those details here, apart from sheer word count, was that my viewpoint character doesn't understand them. In fact, as you deduced, none of the crew have experienced jump travel and because they were not intended to be the generation that returned to civilisation, Captain hasn't trained them for it.
I guess it's one of the dangers of working in an established (to me) universe, that I don't see so clearly where the story doesn't work as a stand-alone.
Rob,
In your introduction you said that "the story would continue if I hadn't run out of words". That particular point is glaringly obvious at the ending. Everything following Mary's seizure and eventual death (which just gets dropped on the reader's head a page later, with the words 'Mary's body') feels rushed and wrapping up in a hurry. I see I'm also not the only one who got confused by the significance of the portal. I could see it for the Chekhov's gun that it was (not your fault; I don't think it was realistically avoidable), but I didn't quite understand how it got fired. With another thousand words or so, I feel, this story would work as a standalone piece. I completely understand what you mean about working in the universe you know, but the readers don't - I'm currently facing a similar challenge writing an independent short story in the world of my novel.
I had some trouble with Angelique's character. At points, she sounded so robotic I'd suspected her to be at least part AI. Her revelation at the end, I suppose, partially justifies why she's such a stickler for rules, but she still goes from Vulcan to warm and cuddly a bit too fast.
Aside from the above issues, I liked your storytelling a lot. The scenes in the lab I could see very vividly, and there was some very gentle and sensual writing about the plant's reactions to Mary and Aaron touching. The story did indeed read 'Trekkie', and, just to avoid misunderstanding, I mean that in the nicest way. An entire novel of that universe would be a very interesting read.
I'll be straight with you - although I think you've done a good job, I'm not going to vote on this piece, mainly because, as many have pointed out, the dystopian/utopian theme is simply not there.
Cheers,
Maria
Thank you for taking the time to read and comment. I'd say I'll take all your comments on board, but as you noted they're mostly the same as others have said so I've already made that commitment ;)
This presents a couple of interesting ideas. I enjoy stories about new life forms, explorations, and moral issues. The choice to make the focal lifeform a plant was a good one. The story does feel a bit unfinished, but I understand that is part of the problem with those word restrictions. I don't think it really fits the challenge. It is science-fiction, but I don't see an exploration of what I would recognize as dystopian/utopian themes.
Much of the story is driven by dialogue. That is a fine choice, but the implementation isn't to my taste. If too much of it is untethered from character, exposition, etc., it begins to disconnect from the story. The rhythm is off and it feels awkward. This is, of course, a matter of preference. Integrating it, breaking it up, or maybe even limiting some of the "said,replied,answered," tags might smooth it out.
As I said, I like the premise and the ideas. You've obviously given the setting a lot of thought and that shows.
Thanks for your comments. I probably do overdo the dialogue, particularly in short pieces, and don't always trim the tags as far as some would like. And yes, I struggle with dystopias.
Hello, Rob! Thank you for sharing this story.
I like your imagination and creativity. The Tribils were interesting and I clearly pictured them in my head - but simply stating the vegetation was "turquoise and purple" leaves me wanting more details. I know one should not be too wordy and let the pacing suffer in short stories but it is an alien planet and we, as readers, truly need to understand your vision. Considering that the protagonist is a biologist some more information would be nice. (I am aware you provide more details later on but I wanted it to come earlier. Again - this is simply personal preference).
The prose could have been better formatted, with properly aligned lines, but that’s only a minor detail.
Even though you say it would have been longer if you had more words I feel it is complete. You could have condensed the prose if anything. It feels a bit diluted at times. I’m quite curious as to what you wanted to add.
I also wonder about its attributes as dystopian fiction. The regulations certainly made the humans live confined lives where certain freedoms were taken from them – and the captain added to that confinement – but overall it seemed the only thing really bugging the protagonist was that he was not assigned with the mating partner he wanted.
Luckily there was a lot to enjoy! The subtle affection between Aaron and Mary was a nice detail. The overall prose, even though it could have been more condensed and have more details at times, was clean and easy to read. The story, though not hooking me on the very first page, was interesting and I enjoyed reading it until the last page.
Also, I know it is interesting to write about what you're familiar with (in this case this story takes place in your own universe that you used for other fiction) but doing something entirely new would be more rewarding for you as a writer. It's dangerous to get too fixed in the same patterns when writing. I think you did a good job writing this story – I do – it’s just a head’s up for next time. Versatile writers are the best.
Regards, Fredrik
Thanks for your comments, and I'm glad you enjoyed it overall.
As to writing "outside the comfort zone" - well, this universe is one that I come back to from time to time, but it's not the only one I work in! In fact, thinking about it, the universe of the novel I'm working on at the moment would probably have been a better source of a dystopian setting. Had I been inspired to write it. But I wasn't. And I suppose that's the aspect of versatility that I lack - the ability to write "on demand", to fill a specific call like this challenge.
Anyway, I've downloaded yours to read but haven't found time to get to it yet.
Yes, it is really hard to write on demand. Well, you were right in your choice of universe - because you created an awesome piece of fiction!
That gladdens me! I hope you like it.
Regards, Fredrik.
Aww, I love your non-human character, the cutest so far for sure. I'm not really a spaceships sci-fi kind of person, but I recognize the genre(?) and I think you've captured it well, especially with the terminology etc.
I didn't really feel the connection between the characters. What is the purpose of the “other” woman? In a way, I think it would be enough that he is mildly amused by having a spouse assigned to him, then to realize that she is actually an alright woman.
To benefit the pace of the story, I would suggest shortening the sequence between them leaving the planet and starting to examine the not-plant specimen. I understand that you want some space to elaborate on the setting, but I believe you could sneak that in elsewhere. This way, you could flesh out the ending without adding to the word count.
Regarding dialogue tags, I personally prefer he/she/it said to other mods like insisted/reminded/complained etc. Most of the time, such things come across from the dialogue anyway.
Anyway, I enjoyed your story. Thumbs up!
Thank you :)
I get what you mean about the "other woman", although it was part of the oppressive-lack-of-choice meme that fell rather short of proper dystopia, so dialling it down would suit the story's future more than this challenge ;)
Dialogue tags do seem to be a matter of taste. I was reviewing some critiques of one of my other projects last night and I have both "be more varied" and "if the dialogue's good, said works fine" comments on it!