Heyer said of her own writing in the 1940s, “I think to myself I ought to be shot for writing such nonsense," but her self-deprecation undermined her wit and substantial body of bestselling work.
How do you write about the ‘now’ in a time of ongoing global crisis?
Video games are often looked down on. However, writers and lit enthusiasts can crack open new worlds of stories by appreciating the medium and its unique offerings.
Experience vs. research: What stories are yours to tell?
By Joshua Isard
Finding the right amount of information to include in a story can be a difficult task for any writer.
Some tips for turning your obsessions—good and bad—into powerful stories.
How can you find original locations to set your horror stories? Here are a few ideas.
Thoughts on the differences between novels and short stories, specifically when it comes to pacing and depth.
Reviewing nonfiction taught me a few tricks that helped improve my approach to writing fiction.
Some thoughts on how and why we live through our stories and protagonists.
Instead of surrendering to writer's block, give these ideas a try.
What is method writing, and how can it help breathe authenticity into your work?
There's no lack of online advice about how to write dialogue in fiction. But there’s one issue I see over and over in the dialogue of newbie writers, and I have yet to find one post that tackles it.
By Peter Derk
Want to make a reader shiver? Here are a few tips.
How do you know if your horror project is a story, novella, or novel? Some quick tips.
By Alex Behr
"Planet Grim" Author Alex Behr turns prompts into experimental prose.
Knowing your setting doesn't mean you'll avoid stereotyping it.
By Jeff Noon
Part 9 of Jeff's 10 part series on the writing of his new novel, "A Man of Shadows."
The Game of Thrones pilot, "Winter is Coming," packs a sprawling, fantasy epic into a tight sixty-one minutes featuring distinct and interesting settings and characters.
Thoughts and advice on how to leave room for your readers when writing fiction.
Five examples of how reality TV Shows 'The Bachelor' and 'The Bachelorette' showed me how to write better stories.
Sometimes our world and others overlap, like the center of a Venn diagram. These new worlds that still retain vestiges of our own offer a unique angle; they allow the author to make comparisons.
What happens if you need to set a story in a place you've never seen? Melissa F. Olson, author of the Boundary Magic series, walks you through how to plan a location research trip.
When does writing about The Other stop being an exercise in understanding and become something exploitative?