avery of the dead
from Kentucky is reading Cipher SistersFebruary 23, 2012 - 7:56pm
I think I've had both types of reviews. Ones that were zero help because they said "Yay gorillas,". And then also ones that were edited with a heavy hand, but with no suggestions or reasons. I get easily confused when people change my sentence, but then don't tell me why they changed my sentence. And by confused, I mean defensive and rude.
Both are difficult.
Jimothy Scott
from Canada is reading The wise mans fearFebruary 23, 2012 - 8:00pm
I've had both as well. I get pretty choked too when there is no explination
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 8:00pm
Although I must say, I am always thrilled when someone takes the time to go super editor on me and those have been some of the best.
Except for that time the guy showed up at my front door, that was just plain spooky. But I always think about the Suzy Vitello/ Chelsea Cain/Cheryl Strayed/ Monica Drake/ Chuck Palahniuk/Lidia Yuknavitch workshop where people cry because everyone is going super editor on their asses.
But those are some super editors.
PandaMask
from Los Angeles is reading More Than HumanFebruary 23, 2012 - 8:01pm
By the way for any new people interested or anyone else. I put up another weekly prompt.
500-1000 words.
The prompt is An Abandoned Theme Park.
drea
from Rural Alberta, Canada is reading between the linesFebruary 23, 2012 - 8:03pm
@utah I'm in the Suzy Vitello workshop right now and holy hell; the woman a whipcracker; no fucking around. Easy to see how shit gets done in "that" Portland writers workshop. I spent no less than 5 hours re-working an opening this week and then peer reviews on top. And I don't know meatseeker. Yet.
@chester Yes, I did do the first Lidia one. How was it? Ummm, sort of like crying and fucking; no, scratch that, it was exactly like bawling and cumming. All about challenging convention, digging into how our bodies experience ecstasy and agony, kicking the shit out of the stale scripts that tell us what sex is and what loss does. Her lectures alone are worth the price of admission; if anyone you know is considering doing it, I say do not miss the opportunity and register like yesterday. Trust me. I'm still mopping up around here ; )
Jimothy Scott
from Canada is reading The wise mans fearFebruary 23, 2012 - 8:05pm
@panda I read a goosebumps like that once
avery of the dead
from Kentucky is reading Cipher SistersFebruary 23, 2012 - 8:03pm
Well, if Chuck just re-wrote my whole story with no explanation...yeah...I'd just go with it.
avery of the dead
from Kentucky is reading Cipher SistersFebruary 23, 2012 - 8:05pm
"I read a goosebumps like that once"
I read that one too. There were monsters.
PandaMask
from Los Angeles is reading More Than HumanFebruary 23, 2012 - 8:09pm
@Garrett
Submit!
Brandon
from KCMO is reading Made to BreakFebruary 23, 2012 - 8:12pm
@Avery
I've had three stories critiqued by Chuck. Honestly though, I got much more out of the peer reviews from other workshoppers.
R.Moon
from The City of Champions is reading The Last Thing He Wanted by Joan Didion; Story Structure Architect by Victoria Lynn Schimdt PH.D; Creating Characters by the editors of Writer's DigestFebruary 23, 2012 - 8:14pm
I've had three stories critiqued by Chuck. Honestly though, I got much more out of the peer reviews from other workshoppers.
- Really? Why do think that is? I'm just curious. I've read a couple of his critiques over on Cult and they were really in depth.
Brandon
from KCMO is reading Made to BreakFebruary 23, 2012 - 8:17pm
Chuck doesn't read the critiques everyone else has given you before he does his. Granted, he's got a very cool delivery and it's insightful, but after you've had your piece kicked around by ten or so people, it's hard to add much more to that.
R.Moon
from The City of Champions is reading The Last Thing He Wanted by Joan Didion; Story Structure Architect by Victoria Lynn Schimdt PH.D; Creating Characters by the editors of Writer's DigestFebruary 23, 2012 - 8:19pm
...but after you've had your piece kicked around by ten or so people, it's hard to add much more to that.
- True... Very true. Thanks Brandon.
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 8:34pm
I remember right after I purchased my membership here, I was reading reviews and LBLs of others' work so I could figure out how to do a good one, myself. I remember reading an LBL that was full of the most pompous bullshit I have ever read, and being totally blown away when halfway through, the reviewer suggested a way the writer could "sound less pompous"...so, IMO, THAT was a bad review. I remember the story vaguely, but don't remember who the reviewer was.
If you're reading this...sorry?
aliensoul77
from a cold distant star is reading the writing on the wall.February 23, 2012 - 9:19pm
I think I know who you are talking about, Renee. That guy isn't on so much anymore.
What sucks is when someone can't write very well but they are supercritical of everyone's work and acts like they are an English professor then you read something of theirs and it is written like a third grader. It is like, "what the fuck"?! I'm frustrated because I did my fourth draft of my story for the anthology and I thought it was done and then I got a lot more feedback. I feel like it's the story of rewrites that will never end. The third version I posted though got like almost five stars by you and others. I just don't want to "overwrite it".
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 9:23pm
I wish you could close a submission to reviews after a point. I think there does come a time when you have gotten all you are going to get from reviews and you just need to stop taking in what others are saying-but when that new review is staring at you from your inbox, you're not going to NOT read it!
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 9:27pm
Drea Said:
@chester Yes, I did do the first Lidia one. How was it? Ummm, sort of like crying and fucking; no, scratch that, it was exactly like bawling and cumming. All about challenging convention, digging into how our bodies experience ecstasy and agony, kicking the shit out of the stale scripts that tell us what sex is and what loss does. Her lectures alone are worth the price of admission; if anyone you know is considering doing it, I say do not miss the opportunity and register like yesterday. Trust me. I'm still mopping up around here ; )
Woo-hoo! Yeah, she is fucking hilarious. And real. Tears and cumming are the same, aren't they? I am so going to post this on her FB page. Damn, I want to take that next class.
Fucking money.
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 9:29pm
I'm hoping our upcoming kitchen remodel leaves room in the budget for the class, myself. Husband has not responded to the email I sent him detailing all the reasons I would benefit from it.
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 9:30pm
The thing is all of the women in Chuck's workshop are much better writers than he is.
R.Moon
from The City of Champions is reading The Last Thing He Wanted by Joan Didion; Story Structure Architect by Victoria Lynn Schimdt PH.D; Creating Characters by the editors of Writer's DigestFebruary 23, 2012 - 9:31pm
I wish you could close a submission to reviews after a point. I think there does come a time when you have gotten all you are going to get from reviews and you just need to stop taking in what others are saying-but when that new review is staring at you from your inbox, you're not going to NOT read it!
- Super idea.
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 9:31pm
@Renee, that would be so fun to be in that class with you. Well, you and Linton.
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 9:32pm
You can close a sub, just pull it.
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 9:32pm
I am still lost on this Linton thing...
Boone Spaulding
from Coldwater, Michigan, U.S.A. is reading Solarcide Presents: Nova ParadeFebruary 23, 2012 - 9:34pm
^ "Fucking money " = how I feel about the Ed Sikov class. *If I could just win a modest lottery*
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 9:36pm
PandaMask
from Los Angeles is reading More Than HumanFebruary 23, 2012 - 9:53pm
"He will fuck your shit."
Moderator
Utah
from Fort Worth, TX is reading Lonesome Dove by Larry McMurtryFebruary 23, 2012 - 9:55pm
WTF?
PandaMask
from Los Angeles is reading More Than HumanFebruary 23, 2012 - 9:55pm
His blog is amazing.
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 9:56pm
Looks like I am taking the class. Chester--you in?
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 10:04pm
Serious? You registered?
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 10:07pm
Getting the credit card out now, registration in the other tab.
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 10:08pm
Okay, now I am registered.
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 10:10pm
Damn. Jealousy is welling up. I have to think about this one. What is the tuition?
Class Facilitator
ReneeAPickup
from Southern California is reading Wanderers by Chuck WendigFebruary 23, 2012 - 10:19pm
$477.
I have to admit that I am jumping on this one because I NEED it, this is the class I've sort of been waiting for.
Laramore Black
from Joplin, Missouri is reading Mario Kart 8February 23, 2012 - 10:28pm
Can we pirate it?
Meshel
from Singapore is reading Far from the Madding Crowd by Thomas HardyFebruary 23, 2012 - 10:29pm
Hi everyone..
I am very new here and obviously situated VERY far away from most of you.. Time difference, very new not only here but also in the world of writing etc. = Extremely lost. :) I am extremely fascinated with most of the works I've read so far though..
PandaMask
from Los Angeles is reading More Than HumanFebruary 23, 2012 - 10:40pm
@Meshel
Welcome!
Have you submitted anything?
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 10:48pm
@Renee: That's what I thought. I love Lidia and so want to take one of her classes, but like you said, it should be a course that fits what you want and need. I am waiting for the course material that jumps out to me.
Although I must be honest, Lidia blows me away every time she opens her mouth, so I am very excited for you. She is a great teacher.
@Meshel: Great Name! Singapore? That sound interesting. Well, this is a good place to keep your mind on the subject of writing.
Meshel
from Singapore is reading Far from the Madding Crowd by Thomas HardyFebruary 23, 2012 - 11:13pm
@PandaMask
Thanks! Submitted?
@Chest Pane
Thank you but it's supposed to be Michelle.. Unfortunately, the name isn't avail.. Appreciate the info though... =)
Chester Pane
from Portland, Oregon is reading The Brief and Wondrous Life of Oscar Wao by Junot DiazFebruary 23, 2012 - 11:17pm
Mesh meshes.
PandaMask
from Los Angeles is reading More Than HumanFebruary 23, 2012 - 11:17pm
Submit something to the workshop.
Meshel
from Singapore is reading Far from the Madding Crowd by Thomas HardyFebruary 23, 2012 - 11:34pm
Haha @Chester Pane
THANK YOU! @PandaMask
Nick Wilczynski
from Greensboro, NC is reading A Dance with Dragons by George R.R. MartinFebruary 24, 2012 - 2:58am
I love this thread. I keep coming here and cracking up at, just, well, let me explain.
For a variety of reasons we are all aware of communication via on the internet has it's shortcomings, there is no body language, tone of voice, inflection, which serve the dual role of helping us convey our meaning more easily and providing non-verbal confirmation that we are understood. So, on the one hand it is possible to offend people unintentionally because the medium can rob connotations from words and in any event tone serves to denote sarcasm, levity, or seriousness and so interpretation happens willy nilly even without the fundamental problems of language and the evolution of meaning.
But, more interesting (for the purposes of this thread) than the possibility to offend people is the lack of feedback such as we would traditionally get from body language, the possibility to completely lose your shit because you think you might have offended someone but you don't know for sure. I have had several conversations on various internet boards take a swerve for the absurd because I freaked out thinking that I had offended the other party.
But to see other people sharing this problem, and even making a thread about how worried they are about it, ahhh, it makes me feel so much better about so many embarassing desperate and unnecessarry apologies I've send out via PM, I know how you guys feel.
But as far as it goes, Linton will either post again or not, nothing any of us can do to influence that at this point. I think it can be a teachable moment, sure, maybe we went a little overboard on that one (I too might have gotten freaked out by the second or third meme, just from the feeling of being a punchline to some deeply inside joke upon arrival).
So, I understand why there is concern here about scaring off new members. Look, on the one hand if they can't handle a little ragging when they join then how hard are they going to cry when they get into the workshop? On the other hand maybe we should make at tops, like, one extra thread with their name in it and 2 personalized memes at most. On both hands, let's just put all of this stuff down, because for real, I don't need to be just sitting around holding things in my hands. Let's just chill out. Deep breaths.
Like I said, most any time I had such misunderstandings I was either a) blowing it out of proportion in my own mind or b) completely unable to repair the damage. So, there's nothing to be done about it except to get another drink.
PandaMask
from Los Angeles is reading More Than HumanFebruary 24, 2012 - 3:07am
Nice post Nick. I think if the new people read this they'll understand.
Nick Wilczynski
from Greensboro, NC is reading A Dance with Dragons by George R.R. MartinFebruary 24, 2012 - 3:08am
Also, hello Meshel.
-
The list also cracked me up. I'm pretty sure I wrote something to the effect of "You probably don’t need about half of what’s written here.” on a LBL once.
Matt Attack
from Richmond, Va. is reading As I Lay Dying, William FaulknerFebruary 24, 2012 - 3:42am
Welcome Meshel! Or, Selamat datang! Or, 欢迎 <---I wasn't sure if you spoke Malay or Mandarin....
Matt Attack
from Richmond, Va. is reading As I Lay Dying, William FaulknerFebruary 24, 2012 - 3:57am
@nkwilczy Dammit! I had this exact conversation (well, not exact, more the body language part) with Averydoll yesterday! Stop talking behind my back woman! Its either that or this is some sort of weird Twlight Zone and a gremlin is going to attack my car on the way to work....hmmmm
avery of the dead
from Kentucky is reading Cipher SistersFebruary 24, 2012 - 6:14am
If I no longer want to get reviews for a piece, I will change the synopsis to say that. Or just delete it.
I think I've had both types of reviews. Ones that were zero help because they said "Yay gorillas,". And then also ones that were edited with a heavy hand, but with no suggestions or reasons. I get easily confused when people change my sentence, but then don't tell me why they changed my sentence. And by confused, I mean defensive and rude.
Both are difficult.
I've had both as well. I get pretty choked too when there is no explination
Although I must say, I am always thrilled when someone takes the time to go super editor on me and those have been some of the best.
Except for that time the guy showed up at my front door, that was just plain spooky. But I always think about the Suzy Vitello/ Chelsea Cain/Cheryl Strayed/ Monica Drake/ Chuck Palahniuk/Lidia Yuknavitch workshop where people cry because everyone is going super editor on their asses.
But those are some super editors.
By the way for any new people interested or anyone else. I put up another weekly prompt.
500-1000 words.
The prompt is An Abandoned Theme Park.
@utah I'm in the Suzy Vitello workshop right now and holy hell; the woman a whipcracker; no fucking around. Easy to see how shit gets done in "that" Portland writers workshop. I spent no less than 5 hours re-working an opening this week and then peer reviews on top. And I don't know meatseeker. Yet.
@chester Yes, I did do the first Lidia one. How was it? Ummm, sort of like crying and fucking; no, scratch that, it was exactly like bawling and cumming. All about challenging convention, digging into how our bodies experience ecstasy and agony, kicking the shit out of the stale scripts that tell us what sex is and what loss does. Her lectures alone are worth the price of admission; if anyone you know is considering doing it, I say do not miss the opportunity and register like yesterday. Trust me. I'm still mopping up around here ; )
@panda I read a goosebumps like that once
Well, if Chuck just re-wrote my whole story with no explanation...yeah...I'd just go with it.
"I read a goosebumps like that once"
I read that one too. There were monsters.
@Garrett
Submit!
@Avery
I've had three stories critiqued by Chuck. Honestly though, I got much more out of the peer reviews from other workshoppers.
Chuck doesn't read the critiques everyone else has given you before he does his. Granted, he's got a very cool delivery and it's insightful, but after you've had your piece kicked around by ten or so people, it's hard to add much more to that.
I remember right after I purchased my membership here, I was reading reviews and LBLs of others' work so I could figure out how to do a good one, myself. I remember reading an LBL that was full of the most pompous bullshit I have ever read, and being totally blown away when halfway through, the reviewer suggested a way the writer could "sound less pompous"...so, IMO, THAT was a bad review. I remember the story vaguely, but don't remember who the reviewer was.
If you're reading this...sorry?
I think I know who you are talking about, Renee. That guy isn't on so much anymore.
What sucks is when someone can't write very well but they are supercritical of everyone's work and acts like they are an English professor then you read something of theirs and it is written like a third grader. It is like, "what the fuck"?! I'm frustrated because I did my fourth draft of my story for the anthology and I thought it was done and then I got a lot more feedback. I feel like it's the story of rewrites that will never end. The third version I posted though got like almost five stars by you and others. I just don't want to "overwrite it".
I wish you could close a submission to reviews after a point. I think there does come a time when you have gotten all you are going to get from reviews and you just need to stop taking in what others are saying-but when that new review is staring at you from your inbox, you're not going to NOT read it!
Drea Said:
@chester Yes, I did do the first Lidia one. How was it? Ummm, sort of like crying and fucking; no, scratch that, it was exactly like bawling and cumming. All about challenging convention, digging into how our bodies experience ecstasy and agony, kicking the shit out of the stale scripts that tell us what sex is and what loss does. Her lectures alone are worth the price of admission; if anyone you know is considering doing it, I say do not miss the opportunity and register like yesterday. Trust me. I'm still mopping up around here ; )
Woo-hoo! Yeah, she is fucking hilarious. And real. Tears and cumming are the same, aren't they? I am so going to post this on her FB page. Damn, I want to take that next class.
Fucking money.
I'm hoping our upcoming kitchen remodel leaves room in the budget for the class, myself. Husband has not responded to the email I sent him detailing all the reasons I would benefit from it.
The thing is all of the women in Chuck's workshop are much better writers than he is.
@Renee, that would be so fun to be in that class with you. Well, you and Linton.
You can close a sub, just pull it.
I am still lost on this Linton thing...
^ "Fucking money " = how I feel about the Ed Sikov class. *If I could just win a modest lottery*
You can win a class here.
Umm...when did that happen?
@Renee,
A Linton Robinson Story
A Linton Robinson Thread
Another Linton Robinson Thread
"He will fuck your shit."
WTF?
His blog is amazing.
Looks like I am taking the class. Chester--you in?
Serious? You registered?
Getting the credit card out now, registration in the other tab.
Okay, now I am registered.
Damn. Jealousy is welling up. I have to think about this one. What is the tuition?
$477.
I have to admit that I am jumping on this one because I NEED it, this is the class I've sort of been waiting for.
Can we pirate it?
Hi everyone..
I am very new here and obviously situated VERY far away from most of you.. Time difference, very new not only here but also in the world of writing etc. = Extremely lost. :) I am extremely fascinated with most of the works I've read so far though..
@Meshel
Welcome!
Have you submitted anything?
@Renee: That's what I thought. I love Lidia and so want to take one of her classes, but like you said, it should be a course that fits what you want and need. I am waiting for the course material that jumps out to me.
Although I must be honest, Lidia blows me away every time she opens her mouth, so I am very excited for you. She is a great teacher.
@Meshel: Great Name! Singapore? That sound interesting. Well, this is a good place to keep your mind on the subject of writing.
@PandaMask
Thanks! Submitted?
@Chest Pane
Thank you but it's supposed to be Michelle.. Unfortunately, the name isn't avail.. Appreciate the info though... =)
Mesh meshes.
Submit something to the workshop.
Haha @Chester Pane
THANK YOU! @PandaMask
I love this thread. I keep coming here and cracking up at, just, well, let me explain.
For a variety of reasons we are all aware of communication via on the internet has it's shortcomings, there is no body language, tone of voice, inflection, which serve the dual role of helping us convey our meaning more easily and providing non-verbal confirmation that we are understood. So, on the one hand it is possible to offend people unintentionally because the medium can rob connotations from words and in any event tone serves to denote sarcasm, levity, or seriousness and so interpretation happens willy nilly even without the fundamental problems of language and the evolution of meaning.
But, more interesting (for the purposes of this thread) than the possibility to offend people is the lack of feedback such as we would traditionally get from body language, the possibility to completely lose your shit because you think you might have offended someone but you don't know for sure. I have had several conversations on various internet boards take a swerve for the absurd because I freaked out thinking that I had offended the other party.
But to see other people sharing this problem, and even making a thread about how worried they are about it, ahhh, it makes me feel so much better about so many embarassing desperate and unnecessarry apologies I've send out via PM, I know how you guys feel.
But as far as it goes, Linton will either post again or not, nothing any of us can do to influence that at this point. I think it can be a teachable moment, sure, maybe we went a little overboard on that one (I too might have gotten freaked out by the second or third meme, just from the feeling of being a punchline to some deeply inside joke upon arrival).
So, I understand why there is concern here about scaring off new members. Look, on the one hand if they can't handle a little ragging when they join then how hard are they going to cry when they get into the workshop? On the other hand maybe we should make at tops, like, one extra thread with their name in it and 2 personalized memes at most. On both hands, let's just put all of this stuff down, because for real, I don't need to be just sitting around holding things in my hands. Let's just chill out. Deep breaths.
Like I said, most any time I had such misunderstandings I was either a) blowing it out of proportion in my own mind or b) completely unable to repair the damage. So, there's nothing to be done about it except to get another drink.
Nice post Nick. I think if the new people read this they'll understand.
Also, hello Meshel.
-
The list also cracked me up. I'm pretty sure I wrote something to the effect of "You probably don’t need about half of what’s written here.” on a LBL once.
Welcome Meshel! Or, Selamat datang! Or, 欢迎 <---I wasn't sure if you spoke Malay or Mandarin....
@nkwilczy Dammit! I had this exact conversation (well, not exact, more the body language part) with Averydoll yesterday! Stop talking behind my back woman! Its either that or this is some sort of weird Twlight Zone and a gremlin is going to attack my car on the way to work....hmmmm
If I no longer want to get reviews for a piece, I will change the synopsis to say that. Or just delete it.