Episode 29 (Special Edition) with Andy Mingo
Episode 28 with Stephen Graham Jones
Past episodes are all available at www.books-booze.com
Tell your friends, AND if you know someone who has a book or lit mag that would want to be on the show, please send them our way. You can email us: renee @ books-booze.com, jessica @ books-booze.com or dakota @ books-booze.com
or get us through the facebook page.
I'm here to announce Books And Booze. This is truly a LitReactor collective. Three users (myself, Averydoll and Jacks_username) got together and decided we liked books, we liked booze, and we liked the internet--so what of it?
Books And Booze will be a podcast featuring interviews with authors, musicians, and a little bit of current events thrown in. We're not out to compete with Booked. We love those guys--we're out to get a little drunk, get the authors a little drunk, and bring something closer to a live radio experience to the literary podcast..
"Like" the Books And Booze Facebook page (featuring a logo by Alex J. Kane) to get the first episode and our latest announcements!
LitReactor made this possible, so hopefully LitReactor can make it successful!
I miss doing a podcast. It really can be a lot of fun and a rewarding experience.
What I don't miss is editing a podcast. If you want it to sound halfway professional and are dealing with upwards of 5 people over the Internet, good God what a nightmare.
How are you guys approaching it, Sparrow? Have you done test episodes yet? Did anyone get drunk and try to eat the mic?
Whenever I have to do these things, I use an app called Audio Hijack. It's able to record any sound your Mac produces (internally, no cables), so you just point it at the app whose audio you want to capture, like Skype or whatever. It can also separate your outoing audio (your mic) from the incoming audio (everyone else) in a stereo pair, allowing you to put those on separate tracks in GarageBand or whatever you edit in (Pro Tools for me). Gives you a lot more control, being able to overlap things or adjust the timing, especially with the auditory train-wreck that often results from delays or not being able to see one another.
