The BS Parts of the Submission Process
Column by Peter Derk
The submissions process is a hell that even Kafka couldn't have imagined.
Stab Wounds: Meditation on the Line
Column by Stephanie M. Wytovich, MFA
The line is where we control the voice and tone of the piece, where we can punctuate imagery, give pause to a blood drop, pray for a ghost.
Co-writing a Novel: Keys to a Successful Collaboration
Column by Michael David Wilson
Writing can be lonely work but it doesn't have to be. Here are some key takeaways and lessons learned from a successful collaboration.
7 Books for Fans of Subtle Horror
Column by Sadie Hartmann
Seven subtle horror books to satisfy readers who enjoy a quiet, creeping dread—perfect for the coming winter months.
Poets Who Bled on the Page
Column by David Cranmer
Poets have surged in popularity during these uncertain times, as they have an awareness that slices to the heart of the problems we all face.
Don’t Miss Out: A Tana French Primer
Column by Annie Neugebauer
Everything you need to know to get started reading the best author you need to know.
Five Things to Keep in Mind for a Great Opening
Column by Gabino Iglesias
The first line. The first paragraph. The first page. The first chapter. They all matter. A lot. Here are some things you should keep in mind to get them right.
David Sedaris' 'The Best of Me' for Readers and Writers
Column by Peter Derk
What's in a best of collection for David Sedaris fans? And what's to be learned by other writers?
Five Must-Read Poetry Collections for Halloween
Column by Stephanie M. Wytovich, MFA
Think poetry is for wimps? These poetry collections are sure to keep you up all night and have you screaming well into the day.
How to Write Horror That Sticks
Column by Peter Derk
Write horror that haunts the reader and is not easily forgotten.
